Come on with the rain, I've a smile on my face

Courtney. 20-something. Indianapolis.
I was born about 50 years too late.
Movies. Books.
❤ ❤
I have a bit of a thing for Gene Kelly.

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Posted: May 5th
reblog - 4759
Posted: April 4rd
reblog - 24
gentlysleeping: When I say scream…
Posted: December 12th
reblog - 4950
Alfred Hitchcock with a dog, 1956.
Posted: December 12rd
reblog - 5727
Posted: October 10th
reblog - 420
factoseintolerant: Alfred Hitchcock & Cary Grant
Posted: October 10th
reblog - 2214
Psycho (dir. Alfred Hitchcock); 1960.
Posted: September 9rd
reblog - 13
Alfred Hitchcock
Posted: August 8nd
reblog - 77
allaboutjulie: Alfred Hitchcock, Paul Newman, and Julie Andrews chat on the set of Torn Curtain
Posted: August 8th
reblog - 1487
bellecs: Ingrid Bergman & Alfred Hitchcock, 1940s
Posted: August 8th
reblog - 23
“I don’t understand why we have to experiment with film. I think everything should be done on paper. A musician has to do it, a composer. He puts a lot of dots down and beautiful music comes out. And I think that students should be taught to visualize. That’s the one thing missing in all this. The one thing that the student has got to do is to learn that there is a rectangle up there - a white rectangle in a theater - and it has to be filled.” - Alfred Hitchcock (August 13, 1899 - April 29, 1980)
Posted: August 8th
reblog - 79
rachelwatchesmovies: Cary Grant, Joan Fontaine, and Alfred Hitchcock on the set of Suspicion, 1941.
Posted: August 8th
reblog - 25
I Confess (1953)
Posted: June 6th
reblog - 7226
pickledelephant: Alfred Hitchcock
Posted: June 6th
reblog - 103
cinemamonamour: The difference between surprise and suspense explained by Alfred Hitchcock: “Here we are, back in our old situation: surprise or suspense. And we come to our old analogy of the bomb: you and I sit talking and there’s a bomb in the room. We’re having a very innocuous conversation about nothing. Boring. Doesn’t mean a thing. Suddenly, boom! the bomb goes off and they’re shocked–for fifteen seconds. Now you change it. Play the same scene, insert the bomb, show that the bomb is placed there, establish that it’s going to go off at one o’clock–it’s now a quarter of one, ten of one–show a clock on the wall, back to the same scene. Now our conversation becomes very vital, by its sheer nonsense. “Look under the table! You fool!” Now they’re working for ten minutes, instead of being surprised for fifteen seconds”.[x]
Posted: May 5th
reblog - 335
Alfred Hitchcock photographed in 1970.